The Upside Down Reader

The ideal third edit is like a snowflake a transitory whimsy that is timelessly unique in that it can never be replicated. A third edit might deal with any topic-the historical ramifications of the length of Cleopatra's nose, the cost of a prime ministerial bed, the pleasures of smoking a cigarette made of 'tomacco', a hybrid between a tomato and tobacco,' a hybrid between a tomato and tobacco - but what it is really about is itself, it is not what is said, but how it is said that makes a third edit. Like a Faberge paper-weight, which would never be used for so mundane a function as holding down sheets of paper, the perfect third edit serves no purpose other than imparting delight to connoisseurs of the genre.